WC - Amber's ref revisioned (old)

Edit: If you have any suggestions or ideas I'm open to any of them. Even major stuff like changing the font or the color, or maybe some of the words. There are many things that are in common with her previous reference, such as the personality quirks, but there are some differences. Regeneration isn't a bonus anymore, but the panel travel does leave more room for evasion for the female half. The switching between dimensions does not happen often at all, and isn't by will. The changes are caused by outside causes, such as the Walking City entering a new zone or dimension or world however that works (how else would it pick up all these different characters from different stories?) For the most part she will stick to the female version. 
>>Note: Her design may change slightly, from the pants being converted into long leggins so the dress is still a dress with panty-shot potential (she's shameless about that btw), but it changed because this is so much easier to draw than the ribbons (but I can also add that in too, since I'd rather the design look good than be convenient). The overall style is just much easier for me to work with, and I'm happier with the colors... black.
>>> Should I change her design back? I'm keeping the sleeves and maybe the droopyness over the shooes (leg warmers) with the high boots at least. But what about the dress and cloak design? Not enough fashion oAo?

HELP ME PLZ. Tell me what you liked most about the previous reference ( Located HERE) And if you'd like to see it incorporated into this reference (Which can include adjustments to make her design more like the original).  What you like least about this reference (The color? The text? Text style? Too much color gradients that make it difficult to read?) And how I could change it. I know I'll be adding more information into the description with summaries and maybe changes to her likes/dislikes for certain, but this reference description is more on-point with her original design idea and has more potential (in my opinion) for better plot/drama. Tell me what you think please! I could use the constructive criticism while it's not too late to turn around and make changes. 

fav.me/d7ymyb2

Notes: 
- The concept is along the same lines as the Lutece Twins form Bioshock Infinite. 
- Her ability is kind of like "peek-a-boo" to where it will only work when no one can sense her (no touch, sound, vision, ect. ). From there she can appear anywhere that is also not felt, heard, or seen, and can travel up to a rooms length for each second she's not seen. Ex. She can be standing on a tree fifteen feet away and you turn your head to look at a bird, but when you look back she's about five feet away with you with the biggest grin. "Hi." There's no catching her inbetween or such like that, she's is either there, or isn't. 
>> This has the disadvantage of being 'locked-down', which is basically keeping her within your senses constantly. She's not extraordinary in any of her physical attributes, so catching up to her, pinning her down, or countering an attack would be easy if you have fast enough reflexes.
>> She can be really anywhere in the city exploring I suppose? The camera can lock her down as well, because there's really no way for us to see her "panel traveling" because it occurs in the gap between panels
- Removing her male form completely pff 

"When I was very young, I had a recurrent Daydream that the whole world was just a show put on for me benefit, that unless I was present to see things, they just-- --ceased to exist," 

"All of us perceive the world as a whole through the experience of our senses." "Yet out senses can only reveal a world that is fragmented and incomplete." "Even the most widely traveled mind can only see so much of the world in the course of a life." "Our perception of "reality" is an act of faith, based on mere fragments." "As infants, we're unable to commit that act of faith. If we can't see it, hear it, smell it, taste it or touch it, it isn't there!" "The game 'Peek-a-Boo' plays on this idea." - Scott McCloud in "Understanding Comics" The Invisible Art